Animals, drawing, 98-105
Ankle-bones, position of, 55
Atmospheric effects, 107, 109, 156, 188

Baby, proportions of a, 61, 79
Birds, drawing, 92-96
Boats, drawing, 157-158
Bonheur, Ross, 101
Brush-drawing, 17-18
Brushes, choice of, 200

Cartridge paper, 14, 199
Chalks, coloured, 202
Chalk-drawing, 14-17
Charcoal-drawing, 18-19, 190
Composition, 171-181
Cottages, sketching, 144-145

Ears, drawing the, 73-75; of animals, 99-104
Easels, choice of, 200, 203
Expression, importance of, 165-166
Eyes, human, 65-69; of birds, 92-93

Figures, drawing, 37-43; balance of, 39-40
Foot, drawing the, 52-59; of birds, 94
Frog, drawing a, 97-98
Furniture, proportions of, 84-86

Gainsborough, Thomas, 170
Giotto, 20-21, 22

Hands, drawing, 44-51; proportions of, 83
Heads, drawing, 60-62
Horizon, in perspective, 120

Indiarubber, choice of, 200
Interiors of houses, in perspective, 137

Kemp-Welch, Lucy, 101

Landscape, thumbnail sketches of, 155; painting, 156
Light and shade, studies in, 182-192

Madonna della Sedia, 180
Man, proportions of, 80-82
Measure, how to, 115-116
Michelet paper, 19, 190, 202
Mouths, 71-73
Munnings, A. J., 101

Necks contrasted, human 62-63; birds', 95
Noses, human, 69-71; animals', 98-99, 104

Outline drawing, 182

Paints, water-colour, choice of, 200-202
Papers, drawing, 14, 16, 17
Parallel lines, the use of, 114-118
Pen-and-ink drawing, 190
Pencil-drawing, 13-14
Perspective, 114-140

Powdered chalk, drawing with, 190
Proportions of inanimate objects, 83-87

Raphael, 181
Rembrandt, 166, 170
Reynolds, Sir Joshua, 164, 166
Rubens, Peter Paul, 170
Ruins, sketching, 154-155

Shade, studies in light and, 182-192
Silhouette portraits, 160-163
Sketching outfit, 142
Sprayers, 203

Stump-drawing, 190
Subject, choice of, 20-27; contrast of, 24-27

Thumbnail sketches, 155
Tinted paper, 183
Titian, 165
Tracing paper, 197
Trees, drawing, 152-154

Van Dyck, Antony, 170
Velasquez, 165

Wash-drawing, 191-192
Wings, of birds, 95-96