< Page:A History of Wood-Engraving.djvu
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INDEX.

  1. Christopher, St.: print of 1423, 22.
  2. Chronicles: general description, 52; the Cologne, 53; the Nuremberg, 53; the Saxon, 53.
  3. Clennell, Luke, 164, 167.
  4. Cole, T., 197, 200.
  5. Cologne: early school of art, 42, 43; Bible, 49; Chronicle, 53; press, 57.
  6. Color: in the holy prints, 26 note; in early German books, 52; in the Livres d’Heures, 60, 61; in chiaroscuro-engraving, 87.
  7. Color, conventional, 55, 151, 152.
  8. Copperplate-engraving: influence on wood-engraving, 47, 91, 112, 141, 149, 164, 176, 182.
  9. Coriolano, Bartolemeo, 146.
  10. Coster, Lawrence: claim to the invention of wood-engraving, 21.
  11. Cousin, Jean, 136–139.
  12. Cranach, Lukas, 110.
  13. Criblée-work: description, 18; in France, 62, 63.
  14. Cross-hatching: first use in Germany, 55; in Italy, 86; its propriety in wood-engraving, 152, 186.
  15. Cunio, Isabella and Alexander Alberico, 20.
  16. Dalziel, the Brothers, 168.
  17. Dance of Death: typical mediæval idea, 121; Holbein’s, 123-129; Guyot Marchand’s, 62.
  18. Davis, J. P., 197.
  19. Day, John, 147.
  20. Didot, Firmin (père): his influence on the French revival of the art, 163.
  21. Dream of Poliphilo, 70–81, 137, 138.
  22. Du Pré, Jean, 60.
  23. Dürer, Albert: influence on the art, 90; character of his genius, 91, 92; Apocalypse of St. John, 93, 94; Larger Passion, Smaller Passion, Life of the Virgin, 95–97; single prints, 97; Car and Gate of Triumph, 97–99.
  24. England: early woodcuts, 63; the art in Holbein’s time, 132, 147, 148; modern revival, 151, 164.
  25. Evans, Edmund, 168.
  26. Form, value of, in wood-engraving, 193.
  27. France: early books in French, 58; early woodcuts, 59–63; influence of Germany and Italy, 62, 135; character of the French Renaissance and its art, 135–141; the modern revival, 163, 169.
  28. French, Frank, 196.
  29. Genre art, first appearance in wood-engraving, 121.
  30. Germany: German block-books, 42, 43; activity and influence of the early printers, 46, 47; the free cities, 48; character of the early press, 48, 56, 57; influence on France, 62; on Italy, 67; on Venice, 68; chiaroscuro-engraving, 87; the Renaissance, 91, 97, 110, 111, 115; decline, 148; the modern revival, 163, 169.
  31. Gilbert, Sir John, 168.
  32. Goldsmiths, mediæval: their art-works, 14–16; position in France and the Netherlands, 17; their claim to the invention of wood-engraving, 18, 19.
  33. Goltzius, Hendrick, 147.
  34. Goujon, Jean, 139.
  35. Greche, Domenico delle, 145.
  36. Gregory the Great: his defence of art, 31.
  37. Groups, modern, 195–200.
  38. Gubitz, Friedrich Wilhelm, 163.
  39. Harvey, William, 167.
  40. Historia Johannis Evangelistæ ejusque Visiones Apocalypticæ, 42.
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