< Page:A History of Wood-Engraving.djvu
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INDEX.

  1. Netherlands: civilization in, 37; wood-engraving probably invented in, 38; decline of, 47, 57, 147.
  2. Nicolo, Giuseppe, 146.
  3. Nuremburg: prints, 26; playing-cards, 27; Bible, 50; Chronicle, 53; press, 57, 114.
  4. Painting, place of, in mediæval popular civilization, 28, 31.
  5. Papillon, Jean, the Elder, 148; the Younger, 20.
  6. Paris: character of the Parisian press, 59, 60; early books and printers, 60; the Livres d’Heures, 60; secular books, 62, 63.
  7. Périssin, Jacques, 140.
  8. Pfister, Book of Fables, 56.
  9. Pigouchet, Philippe, 62.
  10. Playing-cards, 27.
  11. Pleydenwurff, William, 53.
  12. Pliny, reference to Varro’s portraits, 20.
  13. Porret, 169.
  14. Porto, Giovanni Battista del, 145.
  15. Portraits, modern, 198, 200–202.
  16. Principles of wood-engraving, 180–185.
  17. Processes: engraving in relief on wood known to the ancients, 13; of taking impressions, 17; en manière criblée, 18; of taking off the holy prints, 21, 22; of block-printing, 30; of cross-hatching, 55; of chiaroscuro-engraving, 87–89; white-line and Bewick’s other reforms, 151–155.
  18. Pynson, Richard, 64.
  19. Raimondi, Marc Antonio, 96, 142.
  20. Reformation reflected in wood-engraving, 51, 112, 117, 120, 126, 132.
  21. Rembrandt, 147.
  22. Renaissance: in Italy, 67–85; in Germany, 91, 97, 110, 111, 115; in France, 135–141.
  23. Romances, popular, 59, 141.
  24. Rubens, P. P.: reproductions after his designs, 147.
  25. Ruskin, John: criticism on Holbein, 126; on Bewick, 155.
  26. Saints’ images, 21–26.
  27. Salomon, Bernard, 140–141.
  28. Sand, George, criticism of Holbein, 124.
  29. Satire: in Bible-cuts, 50, 51; in the Little Masters, 112; in Holbein, 120, 132.
  30. Saxony: Chronicle, 53.
  31. Schatzbehalter, 54.
  32. Schäuffelin, Hans, 106.
  33. Schön, Erhard, 114.
  34. Scolari, Giuseppe, 145.
  35. Sebastian, St.: print of 1437, 23.
  36. Secularization of art, 50, 110, 111.
  37. Sichem, Christopher van, 147.
  38. Smith, Orrin, 167.
  39. Solis, Virgil, 114.
  40. Speculum Humanæ Salvationis: description, 34; place of issue, 36; authorship, 38 note, 39; character of the cuts, 40.
  41. Spirituale Pomerium, 39.
  42. Springinklee, Hans, 106, 110.
  43. Stamps, engraved, early use, 13.
  44. Stimmer, Tobias, 114.
  45. Strasburg: Bible, 50; press, 57.
  46. Suger, defence of art, 15.
  47. Tenniel, John, 168.
  48. Tewrdannekh, Sir, Adventures of, 106.
  49. Thompson, John, 164.
  50. Titian, reproductions after his designs, 144–146.
  51. Tortorel, Jean, 140.
  52. Tory, Geoffrey, influence on French engraving, 135.
  53. Trento, Antonio da, 146.
  54. Turrecremata’s, Cardinal, Meditations, 68.
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