"I will be your ally then."

"Yours is a sensible method," said M. Hervart. "You may know that I am the keeper of the Greek sculpture at the Louvre. I entered that necropolis at a time when the old system of restoration had begun to be abandoned. They were oscillating between two methods—re-making or doing nothing. The second has prevailed. You will have noticed that our marbles can be divided into two groups: those which have no antiquity but in the name, and those which have no antiquity except in the material. In old days, when they had found a bust, they manufactured a new head for it, new arms and new legs; then they wrote underneath: 'Artemis (restored), Minerva (restored), Nymph with a bow (restored)', according to the fancy of the cast-maker or as they were guided by a somnolent archaeology. I think that they certainly filled some gaps in this way. If the system had gone on being followed, we should doubtless be in possession at the present time of a complete Olympus; while as it is there are plenty of empty places left in the assembly of our gods. Since we decided to do nothing, our galleries have grown rich in