to me not

emotionally but as it were officially. It hadn't even a tone of warning. A mere statement. Without waiting to see the effect she opened the dining-room door, not to announce my name in the usual way but to go in and shut it behind her. In that short moment I heard no voices inside. Not a sound reached me while the door remained shut; but in a few seconds it came open again and Rose stood aside to let me pass.

Then I heard something: Dona Rita's voice raised a little on an impatient note (a very, very rare thing) finishing some phrase of protest with the words " . . . Of no consequence."

I heard them as I would have heard any other words, for she had that kind of voice which carries a long distance. But the maid's statement occupied all my mind. "Madame n'est pas heureuse." It had a dreadful precision . . . "Not happy . . ." This unhappiness had almost a concrete form--something resembling a horrid bat. I was tired, excited, and generally overwrought. My head felt empty. What were the appearances of unhappiness? I was still naive enough to associate them with tears, lamentations, extraordinary attitudes of the body and some sort of facial distortion, all very dreadful to behold. I didn't know what I should see; but in what I did see there was nothing startling, at any rate from that nursery point of view which apparently I had not yet outgrown.

With immense relief the apprehensive child within me beheld Captain Blunt warming his back at the more distant of the two fireplaces; and as to Dona Rita there was nothing extraordinary in her attitude either, except perhaps that her hair was all loose about her shoulders.