besten Urtheile uber Hamlet, Quedl, , 1808, 8vo; A. G. Barante, Sur Hamlet, 1824, 8vo; P. Macdonuell, Essay on Hamlet, 1843, 8vo; Sir E. Strachey, S.'s Hamlet, ISAS, 8vo; H. K. S. Causton, Essay on Mr Singer's Wormwood, 1851, 8vo; L. Nolré, Hamlet, zwei Vartnige, Mainz, 1856, 16130; M. W. Rooney, Hamlet, First Edition (1603), 1856, 8vo; S.'s Hamlet, 1603 and 1604, with Bibliographical Preéace, by S. Timmins, 1860, 8vo; A. Gerth, Der Hamlet v. S., Leip., 1861, 8vo; J. onolly, A Study af Hamlet, 1863, sm. 8vo; H. v. Friesen, Briefe iib. S.'s Hamlet, L¥})Zlg, 1865, 8vo; A. Flir, Briefe ub. S.'s Hamlet, Innsbruck, 1865, 8vo; W. D. Wood, amletfram a Psychological Point of View, 1870, 8vo; R. H. Horne (editor), Was Hamlet Mad? a Series of Critiques, 1871, 8vo; G. F. Stedefeld, Hamlet ein Tendenzdrama Berlin, 1871, 8vo; A. Meadows, Hamlet: an Essay, 1871, 8vo; R. G. Latham, The Hamlet of Saxo Grammaticus and S., 1872, 8vo; F. A. Marshall, Study of Hamlet, 1875, 8vo; H. v. Struve, Hamlet eine Charaklerstudie, Weimar, 1876, 8vo; H. Baumgart, Die Hamlet Trogodie u. ihre Kritik, Konigsb., 1811, 8vo; A. Zinzow, Die Hamlet Sage, Halle, 1877, 8vo; A. Bilchner, Hamlet le Danois, 1878, 8vo; M. Moltke, S.'s Hamlet Quelten, 1881, 8vo; E. P. Vining, The Mystery of Hamlet, Philad., 1881, sm. 8vo Hamlet a woman); H. Besser, Zur Hamlet Frage, 1882, 8vo; E. Stenger, Der Hamlet Charakter, 1883, 8vo; A. Brereton, Some Famous Hamlets, 1884, 8vo; N. R. d'Alfonso, La Personalita di Amleta, 1894, 8vo; H. Conrad, S.'s Selbstbekenntnisse, 1897, 8vo; E. Heuse, Zur Losung des Hamlet-Problems, 1897, 8vo; G. S. Preston, The Secret of Hamlet, 1897, 8vo; A. Doering, Hamlet, ein neuer Versuch, 1898, 8vo; H. Traut, Die Hamlet-Cantrorerse, 1898, 8vo; F. Gregori, Das Schajen des Schauifielers, 1899, 8vo; C. W. Scott, Some Notable Hamlets of the Present Day, rgoo, 8vo; Ford, S.'s Hamlet, 1900, Svo; M. E. Evans, The Ghost in Hamlet, 19a2, 8vo; A. H 'Tolman, The Views about Hamlet, 1906, 8vo; C. M. Lewis, The Genesis of Hamlet 1907, 8vo; R. Lirnberger, Polonius, 1908, '8vo; A. Wurm, S.'s Hamlet, 1908, 8vo; Pfleiderer, Hamlet u. Ophelia, 1908, 8vo; A. V. Weilen, Hamlet auf der deutschen Buhne, 1908, 8vo; S. M. Perlmann, Eine neue Hamlet-Aujassung, 1909, Svo. Henry IV. (Pt. i.. Q.1, 1598; Q.z, 1599; Q.3, 1604; Q.4, 1608; 2.5, 1613; go, 1622; Q.7 1631; Q.8, 1639. Pt. ii.: Q. 1 and Q.2, 1600): E. A. Struve, tudien zu .'s Henry IV., Kiel, 1851, 4to. Henry V. (Q.1, 1600; Q.2, 1602; Q.3, 1608[1619]): G. A. Schmeding, Essays on S.'s Henry V., 1874, 8vo; P. Kabel, Die Sage von Heinrich V., 1908, 8vo. Henry VI. (Pt. i. 1st ed. in F.1. Pt. ii. 1st ed. in F.1. Cantention, &c.: 81, 1594;, z,1600;Q,3[16r9]. Pt. iii. 15t ed. in F. 1. Richard of Yorke: Q.1, 1595; 2, 1600; .3, [1619]): E. Malone, Dissertation on Henry VI., 1792, 8vo; G. L. Rives, Authorship of Henry VI., 1874, 8vo; C. Schmidt, M. v. Anjou vor und bei S., 1906, 8vo. Henry VIII. (rst ed. in F.1): T. E. Pemberton, Henry VIII. on the Stage, 1902, 8vo. Julius Caesar <1st ed. in F.1): G. L. Craik, The English of S. Illustrated, 3rd ed, 1864, sm. 8vo; H. Gomont, Le César de S., 1874, 8vo; M. G. Moberly, Hints for S. Study exemplzjed in Julius Caesar, 1881, 8vo; P. Trabaud, Etude sur le Jules César de S. etde Voltaire, 1889, Svo; P. Kreutzberg, Brutus in S.'s Julius Caesar, 1894, 4to; F. von Westenholz, Idee u. Charahtere in S.'s Julius Caesar, 1897, 8vo. King John (rsl authentic ed. in F.1. Troublesome Raigne, spurious: Q,1, 1591; Q.2, 1611; Q.3, 1622). King Lear (Q.1, 1608;Q.2, 1608 [1619]; Q.3, 1655): [C.Jennens], King Lear vindicated, 1772, 8vo; H. Neumann, Uber Lear u. Ophelia, Breslau, 1866, 8vo; J. R. Seeley; W. Young and E. A. Hart, Three Essays on Lear, 1851, 8vo, Beaufoy Prize Essays; Dr Hirschfeld, K. Lear im Lichte drztlicher Wiss., 1882 8vo; F. G. F. Verdi, Re Lear, tettere, 1902, Svo' E. Bode, Die Lear-Sage, 1904, 8vo. l, ove's Labour's Lost (Q.1, 1598; Q.z, 1631). illacbeth (1st ed. in F.1):i{Dr S. Johnson] Miscellaneous Observations on Macbeth, 1745, 12mo; J. P. Kernble, acbeth and Richard III., ISI7, 8vo; C. W. Opzoomer, Aanteekeningen og Macbeth, Amst., 1854, 8vo° G. Sexton, Psychology of Macbeth, 1869, 8vo; J. G. Ritter, Beitrage zur Erkl. des Macbeth, Leer, 1871, zpts. 4to; V. Kaiser, Macbeth und Lady Macbeth, Basel, 1875, 8vo; E. R. Russell, The True Macbeth, 1875, 8vo; T. Hall Caine, Richard III. and Macbeth, 1877, 8vo; A. Horst, Koni§ Macbeth, eine schottische Sage, Bremen, 1876, 16mo; M. Zerbst. Die dramat. Technik des Macbeth, 1888, 8vo; F. Kaim, S.'s Macbeth, eine Studie. 1888, 8vo; J. C. Carr, Macbeth and Lady Macbeth, 1889, 8vo; G. Fletcher, Character Studies in Macbeth, 1889, 8vo; E. Kroeger, Die Sage von Macbeth, r9o4, 8vo. Measure for Measure (rst ed. rn F.1): O. Halliwell-Phillipps, Memoranda on Measure for Measure, 1880, Izmo' A. E. Thlselton, Some Textual Notes, 1901, 8vo. Merchant of Venice (Q,1, 1600;,2, 1600[1619];Q.3, 1637; Q.4, 1652): G. Farren, Essay on S/zyloek, 1833, 8vo; F. . Hugo, Commentary on the Merchant of Venice, translated 1865, 8vo; H. Graetz, Shylack in d. Sage, 188D, 8vo; A. Pietscher, Versuch einer Studie ub. S.'s Kaufmann v. V., 1881, 8vo; C. H. C. Plath, S.'s Kaufmann v. V., 1882, 8vo; H. Heinemann, Shyloclz und Nathan, 1886, 8vo; A. Manzi, L'Ebreo e la libbra di came, 1896, 8vo; O. Burmeister, Nachdichtursgen, 1992, 8vo. Merry Wives of Windsor (Q.1, 1602;Q.2, 1619; Q.3, 1630): J. 0. Halliwell-Philhpps, Account of the only known MS. ofS'.s Plays,1843,8vo. Midsummer Nights Dream (Q.1, 1600; Q.2, 1600 I6IQ]) 1 N. J. Halpin, 0beron's Vision and Lylie'sEndymian (Shakespeare Society), 1843, 8vo; J. O. Halliwell-Phillipps, Introduction to S.'s Midsummer Nighfs Dream, 1841, Svc, and Illustrations of the Fairy Mythology of Midsummer Nighfs Dream (Shakesp. Soc.), 1845, 8vo; the same with J. Ritson, Fairy Tales, Legends, and Romances, ed. Hazlitt, 1875, Svc; E. Hermann, Drei S. Studien, Erlangen, 1877-9, 4 pts. sm. 8vo; L. E. A. Proescholdt, On the Sources of S.'s Midsummer Nighfs Dream, 1878, 8vo; A. E. Thiselton, Some Textual Notes, 1903, 8vo; F. Sid wick, Sources and Analogues, 1908, 8vo. Much Ado About Nothing (Q.1, 1600); W. Lloyd, Much Ada, irc., with essay, 1884, 8vo, to prove reputed prose to be metrical; F. Holleck-Weithmann, Zur Quellenfrage von Much ado, érc., 1902, 8vo. Othello (Q.1, 1622§§ .2, 1630; 8.5, 1655): W. Parr, The Story of the Moor of Venice, 1795, 8vo; R. G. acgregor, lhello's Character, 1852, 8vo; J. E. Taylor, The Moor of Venice, Cinthia's Tale and S.'s Tragedy, 1855, 8vo; G. Piccini, L'Otello di G. S., 1888, 8vo; W. Given, Further Study of Othello, N.Y. 1899, 8vo; W. R. Turnbull, Othello, 1892, 8vo; S. Bobsin, S.'s Othello in englischer Buhnenbearbeitung, 1904 8vo. Pericles (Q.1, 2, 1609; Q.3, 161 1; Q.4, 1619; Q.5, Q.6, 1630; Q.7, 1635): R. Boyle, On Wilkins's Share in Pericles, 1882, 8vo; A. H. Smyth, Pericles and Apollonius of Tyre, 1898, 8vo. Richard II- (Qtr. Q»2. 1597? Q-3, 1598; Q.4, Q.s.16<>8; Q.6, 1615; Q-7, 1634): Riechelmann, Zu Richard II, S. u. Holinshed, Plauen, 1860, 8vo; B Tschischwitz, S.'s Staat und Konigthum, 1866, 8vo; T. D. Barnett, Notes on Richard II., 1890, 8vo; E. W. Sievers, S.'s zweiter rnittelalterlicher Drarnen-Cyklus, 1896, Svo. Rlchard III. (Q.1, 1591; Q~2. 1598; Q-3. 1602; Q-4. 1605; Q.5, 1612; Q.6, 1622; Q 7. 1629; Q~8. 1634): M. Beale, Lecture on the Times and Play of Richard III., 1844, 8vo; I. F. Schoene, Uber den Charakler Richard III., bei S., 1856, 8vo; L. Moser, Observations on S.'s Richard III., Hertford, 1869, 8vo; H. Mueller, Grundtegung und Entwiclzelung des Charalzters Richards III. bei S., 1889, 8vo; G. B. Churchill, Richard III. up to S., Berlin, 1900, 8vo; J. Petersen, Richard III., ein Vortrag, 1901, 8vo; A. Leschtsch, Richard III., eine Charakterstudie, 1908, 8vo. Romeo and Juliet (Q.1, 1597; Q.2, 1599; Q.3, 1609; Q.4. n.d.; Q.5, 1637): J. C. Walker, Historical Memoir on Italian Tragedy, 1799, 4to; G. Pace Sanfelice, The Original Story of Romeo and Juliet, by L. da Porto, 1868, 8vo; T. Straetcr, Die Komposition S.'s Romeo u. Julia, Bonn, 1861, 8vo; C, R. E. Hartmann, Romeo u. Julia, Leipzig, 1874, 8vo, a critical essay; M. F. Guenther, Defence of S.'s Romeo and Juliet, 1876, 8vo; R. .Gericke, Romeo u. Julia nach S. 's MS., 1889, 8vo; J. L, Fraenkel, Stoj- u. Quellenkunde von Romeo u. Juliet, 1889, 8vo. Taming of the Shrew (rst ed, in F.1): A. H. Tolman, S.'s part in the Taming of the Shrew (Modern Lang. Ass. of Am.), 1890, 8vo; H. Jacobson, W. S. und Kalhchen Minola, 1903, 8vo; E. H. Schomberg, Eine Studie (Stud. zur engl. Phil). 1904, 8vo. Tempest (ISI ed. in F.1): J. Holt, Remarks on The Tempest, 1750, 8vo; E. Malone, Incidents from which S.'s Tempest was derived, ISOS-9, 2 pts. 8vo; G. Chalmers, Another Account, &'c., 1815, 8vo; Rev. J. Hunter, Disquisition on The Tempest, 1839, 8vo; P. Macdonnell, Essay on the Tempest, 1840, 8vo; Notes of Sludics an The Taming of the Shrew, S. Society of Philadelphia, 1866, 4to, with bibliography of The Tempest; J. Meissner, Untersuchungen uh. S.'s Sturm, Dessau, Caliban, the Missing Link, 1873, 8vo; C. C. Hense, Das

1872, 8vo; D. Wilson,

Antike in S.'s Dramen: D. Sturm, 1879, 8vo; F. Boas, Der Sturm und das Wintermarchers, 1881, 8vo; R. Boyle, S.'s Wintermiirchen u. Sturm, 1885, Svo; P- Rodin, S.'s Sturm, 1893. 8vo. Timon of Athens (rst ed. in F.1): A. Mueller, Uber die J 795

Quellen aus denen S. den Timon v. Athen entnommen hat, Jena, 1873, 8vo; A. E. Thiselton, Two Passages, 1994, 8vo. Titus Andronicus (Q.1, 1594; Q.2, 1600; %3, 1611): M. M. A. Schroeder, Uber Titus Andronicus, 1891, 8vo; J. M. Robertson, id S. write T. A.? 1905, 8vo. Troilus and Cressida (Q.1, Q.2, 1609): Annotations by S. Johnson, G. Steevensffrc., upon Trailus and Cressida, 1787 rzrno; L. Boening, De S. fabula quae Troilus et Cressida inscribitur, 1870, 8vo; O. Halliwell-Phillipps, Memoranda, 1880, umo. Twelfth Night, The Two Gentlemen of Verona, and The Winter sTa1e (all three irst printed in F.1): C. H. Coote, On S.'s new map in Twelfth Night, 1878, 8vo.

Sonnets (Q.1, 1609): J. Boaden, On the Sonnets of S., 1837, 8vo; C. A. Brown, S.'s Autobiographical Poems, 1858, 8vo; I. Donnelly, The Sonnets of S., 1859, 8vo; Dr Barnstorii, Key to S.'s Sonnets, translated, 1862, 8vo; B. Corney, The Sonnets ofS., 1862, 8vo; [E. A. Hitchcockl, Remarks on the Sonnets of S., N.Y., 1865, Izmo; R. Simpson, Introduction to the Philosophy of S.'s Sonnets, 1868, 8vo; H. Brown, The Sonnets of S.salved, 1870, 8vo; C. M. Ingleby The Saute arrayed, Sonnet cxlvi., 1872,8vo; G. Massey, The Secret Drama of § .'s Sonnets unfolded, 2nd ed. 1872, riv. pr. 1888, 8vo; Baron E. von Dunckelmann, S. in seinen Sonetten, 1897, 8vo' F. ]PFurnivall, S. and Mary Fitton, 1897, 8vo; S. Butler, S.'s Sonnets, 1899, 8vo; O. Wilde, The Portrait of Mr. W. H., 1901, Svo; J. L. O'Flanagan, S's Self-Revelation, 1902, Svo; E. A. Jackson, Consideration ot S.'s Sonnets, 1904, 8vo; A. B. MacMahan, S.'s Love Story, 1909, 8vo. Venus Adonis (Q.1, 1595; Q.z, 1594; srn.8vo,1596,1599,1600 (?),1602,1617, 1620,1627, 1650, 1636; 8vo, 1675):A. Morgan, Venus and Adonis, Study in Warwickshire Dialect, N.Y., 1885, 4th ed. 1900, 8vo. Lucrece (Q.1, 1594;srn.8vo,15g8, 1600, 1607,1616,1624, 1632, 1655):A.Wuerzner, Die Orthographie der ersten Quarto-Ausgabe von Venus u. Adonis und Lucrece,1887, 8vo. Passionate Pilg1~im(16mo, 1599; 2nd ed. not known; 3rd ed. I6m0, 1612): A. Hoehnen, S.'s Passionate Pilgrim, 1867, 8vo, dissertation.

Falstaifz C. Morris, True Standard of Wit, with Character of Sir J. Falstaj, 1744, 8vo; W. Richardson, Essays on Character of Sir J. Falstaj, 1788, 8vo; M. Morgan, Essay on Sir J. Falstaj, 1777, new edition 1825, 8vo, vindicates his coura e; J. H. Hackett, Falstaf, 1840, 8vo; J. O. Halliwell-Phillipps, On the Characker of Falslajf in Henry IV., 1841, 8vo; E. Schueller, Don Quixote und Falstaf, Ber n, 1858, 8vo; G. W. Rusden, Character of Falstaj, Melbourne, 1870, 8vo; G. Barone, D'un antenato italiano di Falstaf, 189, 8vo; C. E. Phelps, Falstaf and Equity, 1901, 8vo; W. Baeske, Oldcastle-Falstai in der engl. Literatur bis zu S., 1905, 8vo. Female Characters: W. Richardson, On S.'s Female Characters, &'c., 1788, Svo; A. M. Jameson, Characteristics of Women, 1832, 2 vols., rzmo, illustrated; S's Heroines, 1879, sm. 8vo, same book; C. Heath, The Heroines of S., 1848, large 4to, illustrated, and The S. Gallery, containing the Princgal Female Characters, 1836, large 8vo, plates reproduced in H. L. Palmer's SlraU'ord allery, N.Y., 1859, large 8vo; M. C. Clarke, Girlhood of S.'s Heroines, 1850-2, 3 vols. 8vo; H. Heine, Englische Fragments und S.'s Madchen und Frauen, Hamburg 1861, sm. 8vo, S.'s Maidens and Women, transl. by C. G. Leland, 1891, 8vo; F. Leo, S.'s Frauenideale, Halle, 1868, 8vo; F. M. von Bodenstedt, S.'s Frauencharaktere, and ed., Berlin, 1876, 8vo; M. Summer, Les Héroines de Kalidasa et les Héroines de S, , 1879, srn. 8vo; R. Genée, Klassische Frauenbilder, 1884, 8vo; Lady Martin, On Some of S.'s Female Characters, 1885, 8vo; Mrs M. L. Elliott, S.'s Gardenof Girls,1885, 8vo; L. Lewes, The Women of S., éfc., 1894, 8vo; G. Cosentino, Le donne di S., 1906, 8vo; Baron A. von Gleichen-Russwurrn, S.'s Frauengestalten, IQ09, 8vo. Humour: J. Weiss, Wit, Humour and S., Boston, 1876, 16mo; J. R. Ehrlich, Der Humor S.'s, Vienna, 1878, 8vo; L. Wurth, Das Wortspiel bei S., 1894, 8vo; E. Dowden, S. as a Comic Dramatist, 1903, 8vo.

V. LANGUAGE, INCLUDING GRAMMARS AND GLOSSARIES

T. Edwards, Supplement to Mr Warburton's Edition, being the Canons of Criticism and Glossary. 1748, 8vo, 7th ed. 1765; R. Warner, Letter an a Glossary to S., 1768, 8vo; R. Nares, Glossary,1822,4to, by Halliwell and Wright, 1888, 8vo; J. M. Jost, Erkl. Wiirterbuch, Berlin, 1830, sm. 8vo; C. L. W. Francke Bemerkungen uber d. S rachgebrauck des S., Berlin, 1837, 8vo; J. O. Halliwell-Phillipfs, Dictionary of Arcliaic and Provincial Words, 1846'47, 2 vols. 8vo, and Hand-Book ndex to the Works, 1866, 8vo, phrases, manners, &c.; J. L. Hilgers, Sind nicht in S. noch manche Verse wiederherzustellen in Prasa? Aix-la-Chapelle, 1852, 4to; N. Delius, S. Lexikon, Bonn, 1852, 8vo; W. S. Walker, S.'s Versijication, 1854, 8vo, and Examination of the Textof S., with Remarks on his Language, 1860, 5 vols. 8vo; C. Bathurst, S.'s Versijication at different Periods, 1857, sm. 8vo; S. Jervis, Dictionary of the Language of S., 1868, 4to; G. Helmes, The English Adjective in S., Bremen, 1868, 8vo; A. J. Ellis, On Early English Pronunciation, 1869-75, 4 vols. 8vo; W. L. Rushton, S.'s Eugihuism, 1871, 8vo; D. Rohde, Das Hulfszeitwort “To do” bei S., Gbttingen, 1872, 8vo; A. Abbott, Shakespearian Grammar, 1873, 1901, sm. 8vo; A. Schmidt, S. Lexikon, 1874, third ed. by G. Sarrazin, Berlin, 1902, 2 vols., large 8vo, in English, includes all words, phrases and constructions; K. Seitz, Die Alliteratian im Engl.1zar u. bei S., 1875, 4to; F. PfeHer, Die Anredepronomina bei S., 1877, 8vo; P. A. Bronisch, Das neutrale Passessivpronom bei S., 1878, 8vo; O. W. F. Lohrnann, Die Auslossung des Relativgonomens, Ere., 1879, 8vo; A. Dyce, Glossary, revised by H. Littledale, rgoz, 8vo; C. eutschbein, S. Grammatik f. Deutsche, 1882, 8vo; A. Lummert, Die Orthographie der ersten Fuliaausgabe, 1883, 8vo; C. Mackay, Obscure Words and Phrases in S., 1884, 8vo; G. H. Browne, S.'s Veriification, Boston, 1884, rzmo, includes bibliography; L. Kellner, Zur Syntax des engl. erbums, Vienna, 1885, 8vo; J. H. Siddons, Shake?/Pearian Referee, Washington, 1886, 8vo, encyclopedic glossary; H. M. Selby, The S. lassical Dict., 1888, 8vo; S. F. Surtees, S.'s Provincialisms, Wards used in Sussex, 1889, sm. 8vo; H, Conrad, M etrische Untersuch. zur Feststellung der Abfassungszeil von S.'s Dramen, Berlin, 1895, 8vo; E. Hermann, Urheberschaft u. Urquell v. S.'s Dichtungen, 1886, 8vo; G. Koenig, Der Vers in S.'s Dramen, 1888, 8vo; J. Marx, Der diehterische Entwickelungsgang S., 1895, 8vo; W. Franz, S. Grarnmatik, Halle, xgoo, 2nd ed. 1909, 8vo; B. A. P. van Dam, S.: Prasody and Text, 1900, 8vo; J. Phin, S. Encyclopaedia, 1902, sm. 8vo; S. Lanier, S. and his Forerunners, rooz, 2 vols. 8vo (Elizabethan poetry); W. Viétor, S.'s Pronunciation, Marburg, 1906, 2 vols. sm. 8vo; J. Foster, A S. Word-baok, 1908, 8vo; R. J. CunliEe, New S.ean Diet. IQIO, 8vo. VI. QUo:rA1roNs

C. Gildon, Shakespeariana, in his Complete Art of Poetry, 1718, rzmo, the Erst of the class;DrW.Dodd, The Beauties of S.,1752, zvols. rzmo, reprinted (in various forms) more frequently than any similar work; The Beauties of S. (G. Kearsley), 1784, 12mo, not the same as Dodd's Beauties; C. Loit, Aphorismsfrom S., 1812, 12mo; T. Dolby, The Shakespearian Dictionary, 1832, 8vo, and A Thousand Shakespearian Mottoes, 1856, 32mo; T. Price, The Wisdom and Genius of S., 1838, 12mo; Mrs M. C. Clarke, S. Proverbs, 1847, sm. 8vo, reprinted; J. B. Marsh, Familiar, Prouerbial, and Select Sayings from S., 1864, 8vo; E. Routledge, Quotations from S., 1867, 8vo; C. W. Stearns, The S. Treasury, N.Y., 1869, Izmo; Capt. A. F. P. Harcourt, The S. Argosy, 1874, sm, 8vo; G. S. Bellamy, New Shaleespearian Dictionary, 1877, 8vo; A. A. Morgan, The Mind of S., 1880, 8vo, quotations in alphabetical order; C. Arnold, Index to Shakespearian Thought, 1880, 8vo.

VII. CONCO@ANCES AND INDEXES

A. Becket, Concordance, 1787, 8vo, the earliest; S. Ayscough, Index, I7QO, large 8vo. and ed. enlarged, 1827, useful; F. Twiss, Complete Verbal Index, 1805 2 vols. 8vo; M. Cowden Clarke, Complete Concordance, 1844, new ed. 1889, 8vo, deals only with the