order to erect new fabrics, that might be

subject to their own command, they found most active instruments in enthusiastic partisans of indefinite innovation, and especially in literary associates, who readily joined in supporting theories which appeared to them well fitted to extend the sway of intellectual powers, and to attach power and pre-eminence to that species of talents which they conceived themselves to possess. Proceeding on the simple principle, that good was constituted by alteration, various writers, including some of considerable ingenuity, chiefly directed their attention to change, that is all the change which their literature could effect. Ingenuity, decorated nonsense and absurdity, the fine spun theories of Joel and Anne, Croft and German literature, powerfully contributed to the deviation of very inferior writers, from common sense and experience. In