Mention should be made of some prose writings which Rilke published in the year 1898 and shortly afterward. They are Two Stories of Prague, The Touch of Life and The Last; three volumes of short stories; a two-act drama, The Daily Life, points to a strong Maeterlinck influence, and finally Stories of God. With both beauty of detail and problematic interest, the short stories show an incoherence of treatment and a lack of dramatic co-ordination easily conceivable in a poet who is essentially lyrical and who at that time had not mastered the means of technique to give to his characters the clear chiselling of the epic form.

A sojourn in Russia and especially the acquaintance with the novels of Dostoievsky became potent factors in Rilke's development and served to deepen creations which without this influence might have terminated in a grandiose æsthesia.

Broadly speaking, Russian art and literature may be described as springing from an ethical impulse and