Irish art, which I see no reason for doubting,

they would indicate a more modern age, and this, from other circumstances, seems more than probable. Though spirals are frequent, the Dowth ornaments assume more of free-traced vegetable forms. It is not so easy to identify the figures in the annexed woodcut (No. 70), as in the palm-branch in New Grange (woodcut No. 67), but there can be little doubt that the intention was to simulate vegetable nature. At other times forms are introduced which a fanciful antiquary might suppose were intended for serpents, or writing, or, at all events, as having some occult meaning. The annexed from a rubbing is curious, as something very similar occurs on a stone at Coilsfield, in Ayrshire, and may really be intended to suggest an idea, but of what nature we are not yet in a position to guess.

It is not so like an alpha-