ILLUSTRATED INTERTTEITS. 131

viting to the artist all Gnd therr place, and amongst the beautiful studics of the Continent arc mineled the dainticst of views of the scenery ofour own country: thC \'8”0}'.\' O Devonshire, the glorious green slopes of - Ire- land, the moun- tains of Scot- land and of Wales. On the south side of the studio, run. ning along the top, 1s a portion of the famous

W.o Le . Da. From a Photo. by’ THE DRAWING-ROOA Lot &ty El (Ql n fricze. Immediately domc. There are many hne works neire opposite the entrance 1s the studio win-

notably the omginal sketch for the * Need dow, which 15 of large proportions and less Alarm, * which S Thederick gave to affords a magnificent light for painting. Sir John Millais, who, 1n return, presented Set out in the recess of the window him with that charming work * Shelling are objects every single one of which is Peas.” Paolo Paruta, the Venctian histo- worth noting. Here are studies for the rian, painted by Tintorcttoy is also here, Daphnephoria "—the bov carrying the besides a head of Bassano and another tripod, the man beating time to the music example of Schia- vone,

Now Sir Fre- derick leads the way into the orcat studio—his workshop. Tt 1s onc of the biggest studios - Lon- don. It would take a dozen pagesto chronicle cverything that it contains. The walls are covered with tiny sketches donc by the ar- tist whilst travel- ling ; scencs of Rome, the Nile, Rhades, Jerusa- lem, Athensg, Sceville, Algiers, and other pictu- resque spots 1n-

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From a Photo. by THE AXNTE-CHAMUREK. Vot o Fry.