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QUEEN ELIZABETH (27).

the Garter: and though he has no hat, probably a broad-brimmed velvet hat, with curling white plumes, found loose m the doll box, 1s his property.

Amy Robsart (51), who was played the ballet " by Mlle. Brocard, a very popular dancer of the period, has a long, narrow riding habit of green satin, with a short habit bodice of the same material trimmed with a narrow gold line down the front, and coming to a point at the waist. Hersleevesare tight, and she wears a large broad-brimmed black velvet hat of the “Di Vernon” shape, with white curling feathers falling on to her fore- head. This is onc of the most realistic of all the dolls, and the dress was no doubt an exact reproduction of the one worn by the actress.

Queen Llizabeth (27) in this ballet (dressed by Baroness I.ehzen) is magnificently attired in a robe of gold tinscl stuff with puffed sleeves and a heavy girdle of gold beads. Her long round train hanging from her shoulder is made of the same material trimmed with ermine and lined with bright crimson plush, as are also her shous. Round her neck she wears pearls 5 and a wonderful little crown of crimson plush, with points of gold paper festooned with pearls, adorns the Royal head.

There is also a representation of the Countess of Leicester (2), probably in the famous grotto scene where she appears before the Queen when she comes to seek the Larl.

SLRANID

MAGAZINLL.

e e e e e b LD

COUNTESS OF JEDBURGH (0y).

MLLE, gROCARD (105).

MILLE. ROSALIE TAGLIONI (9).

Lovers of “ Kenilworth ” will remember how Amy, after her long ride and rencontre with Lambourne, cscapes to the grotto, and 1s horrified at her appearance reflected o the basin of the fountain there. Scott tells us how, “reasoning like & woman to whom ex- . ternal appearance is scarcely in any circum-

THE COUNTESS OF LEICESTER (2).