They leave us — artists, singers, all —
  When London calls aloud.
Commanding to her Festival
  The gifted crowd.

She sits beside the ship-choked Thames,
  Sad, weary, cruel, grand;
Her crown imperial gleams with gems
  From many a land.

From overseas, and far away,
  Come crowded ships and ships —
Grim-faced she gazes on them; yea,
  With scornful lips.

The garden of the earth is wide;
  Its rarest blooms she picks
To deck her board, this haggard-eyed
  Imperatrix.

Sad, sad is she, and yearns for mirth;
  With voice of golden guile
She lures men from the ends of earth
  To make her smile.

The student of wild human ways
  In wild new lands; the sage
With new great thoughts; the bard whose lays
  Bring youth to age;

The painter young whose pictures shine
  With colours magical,
The singer with the voice divine —
  She lures them all.

But all their new is old to her
  Who bore the Anakim;
She gives them gold or Charon's fare
  As suits her whim.

Crowned Ogress — old, and sad, and wise -
  She sits with painted face
And hard, imperious, cruel eyes
  In her high place.

To him who for her pleasure lives,
  And makes her wish his goal,
A rich Tarpeian gift she gives —
  That slays his soul.

The story-teller from the Isles
  Upon the Empire's rim,
With smiles she welcomes — and her smiles
  Are death to him.

For Her, whose pleasure is her law,
  In vain the shy heart bleeds —
The Genius with the Iron Jaw
  Alone succeeds.

And when the Poet's lays grow bland,
  And urbanised, and prim -
She stretches forth a jewelled hand
  And strangles him.

She sits beside the ship-choked Thames
  "With Sphinx-like lips apart —
Mistress of many diadems -
  Death in her heart!



This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired.

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This work is also in the public domain in the United States because it was in the public domain in Australia in 1996, and no copyright was registered in the U.S. (This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.)

This work was published before January 1, 1927, and is in the public domain worldwide because the author died at least 100 years ago.

 
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