< Page:Japanese Wood Engravings.djvu
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LIST OF ILLUSTRATIONS
PLATES
PAGE
I. | From a colour print after Nishimura Shigénaga (c. 1725) |
Frontispiece |
II. | From a colour print after Suzuki Harunobu (c. 1765) |
to face | 6
III. | Actor in Female rôle. From a colour print after Katsugawa Shunshō (c. 1780) |
to„ face„ 22 |
IV. | From a colour print after Katsugawa Shunchō (c. 1780) |
to„ face„ 32 |
V. | From a colour print after Utamaro (c. 1800) |
to„ face„ 50 |
VI. | From a colour print after Utagawa Toyokuni (c. 1820) |
to„ face„ 64 |
ILLUSTRATIONS IN THE TEXT[1]
1. | Reduced facsimile of a woodcut in the Kwanyin Sutra.Dated 1331 |
8 |
2. | Reduced facsimile of a Korean woodcut in the Sam-Kang-hèng-sil |
10 |
3. | Reduced facsimile of a wood engraving, attributed to the Buddhist priest Nichiren (1222–1282) |
11 |
4. | Agni Dêva, the Fire Divinity. Reduced facsimile of a woodcut, dated in the 2nd year of Sochiū (1325). Engraved by a priest named Riokin |
12 |
5. | Reduced from a woodcut in the Isé Monogatari (1608) |
14 |
6. | From an engraving after Hishigawa Moronobu (c. 1680) |
16 |
7. | The Three Saké Tasters (a burlesque on an old picture, called “The Three Religions.” From an engraving after Okumura Masanobu (c. 1710) |
18 |
8. | Crows in the Moonlight. From an engraving after Kōrin in the Gwa-shi Kwai-yo (1707) |
19 |
9. | The Mendicant Priest and the Wild Geese, after Hanabusa Itchō. From the Itchō gwa-fu (1770) |
21 |
10. | From a woodcut after Tachibana Morikuni. Engraved in the É-hon Shaho bukuro (1720) |
24, 25 |
11. | Girls Sketching. From a wood engraving after Nishigawa Sukenobu. In the É-hon Tama Kadzura (1736) |
27 |
12. | From a woodcut after a picture by Muh Ki (a Chinese artist of the 12th century). Engraved in the É-hon té-kagami (1720) |
29 |
- ↑ All the cuts, unless otherwise specified, are taken from examples in the Author’s Collection in the British Museum.
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