and hatchets, but there are other figures which cannot be so classed, and, though it may be rash to call them writing, they may mean numbers or cyphers of some sort. Their great interest is, however, their similarity to the engravings on Irish monuments. If any one will, for instance, compare this woodcut (No. 145) and woodcut No. 68 from New Grange, he can hardly fail to see a likeness which cannot well be accidental; and in like manner the curvilinear forms of woodcut No. 146, in a manner hardly to be mistaken, resemble those from Clover Hill (woodcut No. 77).

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145. Sculpture at Mané Lud. 146. Sculpture at Mané Lud.^[1] 147. View of Dol ar Marchant. From Blair and Ronald.

Close by Mané Lud, but a little nearer to Locmariaker, stands what may be considered as the most interesting, if not the finest, free-standing dolmen in France. Its roof consists of two stones: one of these measures 18 feet by 9 feet,^[2] and more than 3 feet in thickness. The second stone is very much smaller, and seems to form a sort of porch to it. The great stone rests, like that of most free-standing

1. ↑ Woodcuts No. 145 and 146 are copied from Mr. Ferguson's paper in the 'Proceedings of Royal Irish Academy,' viii. 398 et seqq.
2. ↑ These dimensions are from Richard; other authorities make it 18 feet by 12 feet.